There is a core of who I am that is tangled in music. I grew up going to symphonies, playing in some of the best bands and orchestras in the state. I was through and through a clarinet-playing, band geek.
My life has a nearly constant musical score running underneath.
I write to music. Sing snippets of Broadway, Mother Goose, Louis Armstrong, Simon and Garfunkle, and even “Uptown Funk” to my kids.
Soaring melodies, growling tympani, rising arpeggios, staccato xylophone—they draw pictures, speak words I cannot always form coherently. You know what I mean?
This weekend I went with my mom and sister to our local symphony’s live presentation of Disney’s Fantasia. The overlap of the art of film and music reminded me of the fear and destruction happening in our world. In short, it undid me.
A little over halfway through the program came the music of one of my favorite ballets, Stravinsky’s Firebird. It isn’t a piece most modern Americans are familiar with, but I love the unexpected twists and the drama it sings.
In Disney’s take, a mighty elk, king of the forest, wakes Spring – Life personified, beautiful fluidity. Blue and green swirls. Life exalts in melting the snow and playing with the birth of flowers and butterflies, but is shocked when a mountain, an extinct volcano, resists her efforts to sprout in greenness.